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YUICHI HIGASHIONNA

PEOPLEText: Kazumi Oiwa

Yuichi Higashionna is an artist whose works of paintings, objects and installations are inspired by unexplainable odd and uncanny feelings emerged from something strikes him in his everyday life. Something unexplainable in words and something uncanny, complex and ambiguous he feels are turned out to be his creation of art works appealing to us with visual clarity. Recently he received an award of The Bombay Sapphire Prize 2008, the world’s biggest award for artists, designers and architects working with glass. We had an interview with him whose solo exhibition “refract!” will soon be held in CALM & PUNK GALLERY from May 16.

Yuichi Higashionna
“untitled (chandelier-VII)” 2005. 125×110×99(h) cm, fluorescent lamps, aluminum frames, wiring cords, banding band, electrical ballast, ed.1/2 © Yuichi Higashionna Courtesy of Yumiko Chiba Associates

Could you introduce yourself?

I am Yuichi Higashionna, an artist. I’m not sure what artist meant to be though. I do paintings and installations, and create objects.

When have you started to work on artistic activities from?

It was around 1994, starting to create works that led to the current work style.

For your works you use objects, which are familiar to us in our everyday life. How did you come up to the idea to use them for your works?

I didn’t mean to focus attention to them. I was inevitably surrounded by those objects when I realized it. And they were such objects that provoke unexplainable and complex feelings inside me.

Yuichi Higashionna
© Yuichi Higashionna Courtesy of Yumiko Chiba Associates

Your fluorescent lamp work has a strong impact on itself among others. Could you tell us the process how you get an idea to create the fluorescent lamp work?

I have been getting an inkling of the fact that Japan is one of heavy fluorescent light user countries in the world. I noticed the fact that the fluorescent lamp in the circular-bulb style has independently spread in its use at Japanese home in general. Since then I consciously start to use the fluorescent lamp as a source for my work. My fluorescent-lamp-made chandelier work is a reflection that I was obsessed by making a gigantic fluorescent lamp inspired by such a Japanese “fluorescent lamp culture”.

As I imagine as if I am standing in front of your lamp works, it starts swirling in my head. It is just like strange and weird feelings arise inside me, but at the same time I get a comfort in my head. How do you feel when you are standing in the middle of your installation and looking at your works?

For me it is more important what motivates myself for creation rather than the completed works. Most of my works are derived from the uncanny feeling that I usually feel within my ordinary life. Freud explains “the uncanny” is something remote even it is familiar… or “the uncanny” is the state that something invisible usually is visible. This sounds like a paradox, but it makes sense to me a lot.

Yuichi Higashionna gasbook.net calmandpunk.com hellogas.com
“dazzling & doodling” GALLERY at lammfromm (Tokyo) © Yuichi Higashionna Courtesy of Yumiko Chiba Associates

Where do you create your works? What are you inspired by?

Basically I work by myself in the studio. (I recently place orders to the factory though.) Again, the motif of my work is coming from the everyday life. Within that I find something unreasonable and uncanny thing which are unexplainable. This motivates me for my creation.

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