Robert Seidel is an experimental filmmaker and projection artist based in Germany. His works have been appeared 3 times in the selected list of DOTMOV FESTIVAL, 2004, 2006 and 2007, and received high marks from guest judges. Robert will be doing a Japan Tour with Max Hattler from April 22 to May 27th. We interviewed Robert about his works and its production.

Robert Seidel

Could you tell us about yourself including your background?

My name is Robert Seidel, I’m from Jena, a small university town in Germany, where I studied one year Biology before doing my diploma in media design at the time-honored Bauhaus Weimar. I’m an experimental filmmaker and projection artist torn between art, science, computers and nature’s beauty resulting in the name of my website.

How did you start making films?

My dad introduced me to computers quite early, but he ensured that my brother and I don’t play games only. So I began to paint digitally, wrote little fractals applications and later got into 3D. With these technical skills I started to do animation at Bauhaus, but there were no classical animators around, so I had the freedom to develop my style and express very personal stories.

Could you tell us about the concept of your works?

I’m doing organic, semi-abstract animations that have a certain complexity and connect with the viewer on an emotional level. It’s mostly transported by something that gets more beautiful with every viewing, only because you see different layers – like a person that gets more precious over time. But the films also need this time as well, they are no flashing video clips or screen savers like some people think.

I’m interested and fascinated by a lot of things, which I try to combine in my movies. First there is nature in all its form and beauty. Second, the possibilities the computer has to offer, especially the way to recombine and undo things are an important part of my working. The third source is fine arts (Marcel Duchamp, Dieter Roth, etc) and experimental filmmaking (Jan Svankmajer, Maya Deren, etc), which really got me thinking how to develop new spatial and temporal concepts to evoke a certain emotion in the viewer. In the end the beholder itself has become a very surprising part to me – how people react and what stories they unfold for themselves is really helping me to understand a lot of things. But I still have to learn a lot…

Could you describe about each work selected at DOTMOV 2004, 2006 and 2007?

Robert Seidel
Dir: Robert Seidel, 10:01 | 2004 | Germany

_grau” was my diploma piece which is my broadest movie, showing an abstracted car crash. It’s very personal, but also fictional, as the car crash didn’t happen in the last split seconds. The movie is based on the dense structure of my own memories. The name derives from german word for gray and the basic idea is, that nothing in our life is purely black/white or good/bad. Everything offers different shades over time or in comparison. To communicate this idea and to create a believable abstraction for all sculptural moments, everything you see is based on real sources of my life: might it be little stories, 3D scans of my head and hand, motion captured movements or a MRT data set of my brain. _grau took 9 months of work and it’s the best I’ve done so far. Now, after 4 years, I truly hope I find the time and especially the tranquility to create a true successor…

Robert Seidel
Dir: Robert Seidel, 3:58 | 2006 | Germany

Futures” is my first music video. It was commissioned after _grau for the british band Zero 7 featuring the beautiful voice of José González. I wanted to create a special mood for this song about our future shaping over time. So it starts with sequences of crushed, everyday objects that get clearer, like our wishes and desires. As life is full of accidents, also the video is and you see compression artifacts and a rough synchronization. These errors help to build the morbid tableaux of all possible futures. I had a very small budget and full creative freedom, but the record company didn’t use the video in the end. So it was only shown at festivals and they even had another video done for the same track…

Robert Seidel
Dir: Robert Seidel, 1:10 | 2007 | Germany

appearing disappearance” is a commission for the HD project “Advanced Beauty” curated by Universal Everything. This will be soon released on Blu-ray and features a lot of designers and artists using the possibilities of the highly detailed video resolution. It’s a very short and painterly piece with some abstract but also real motion fragments, creating this mysterious, evolving-dissolving structure. It only works like I intended, when you see all the details in HD, so a YouTube version doesn’t do it justice.

And some other works you’ve done before?

There are are several short pieces that can be found on my website, using abstract narration and a mixture of my painterly and 3d style. For example “E3” is a diary of 3 months I spend in the UK, while “winzerla woods” captures the mood of my living area. It’s hard to get funding for this kind of works at all, so my personal work is self funded.

Robert Seidel
“processes: living paintings” Phyletic Museum, Robert Seidel, 2008

But sometimes an interesting commission turns up, so I recently did a large architectural projection on the façade of the Phyletic Museum in Jena called “processes: living paintings”. It was especially created for the 100th anniversary of the museum founded by Ernst Haeckel, one of my favorite inspirational scientist-artists. The dimension was 35 by 16 meters using 3 video projectors for the outside, synched light sources from the inside, sound effects and an ambient score. Even though it was shown in winter 2008 for one day only, it had around 20.000 visitors. I’m still amazed about all the people standing 15 to 20 minutes in the freezing cold and being fascinated by something that indefinable.

Could you tell us about some technical parts?

I’m basically using 3ds max and After Effects with some plug-ins and scripts. It’s nothing really special, as every Hollywood studio has more capable tools and people really knowing how to use them. I would love to have a programmer working full time with me on some ideas I can’t explore, as my everyday work eats up a lot of energy and I’m already spending too much time in front of my PC.

Could you tell us about the Japan Tour starting in this April?

Last year I met filmmaker Max Hattler at the Animation Exchange Forum of Filmfest Dresden. We became friends, performed live at Aurora Festival (UK) and planed a collaborative movie. Max is based in London and we both needed to get away from the commercial pressure and wanted to look for new inspiration. We are both fascinated by Japanese culture, so we planned for to spend some time there. Originally I wanted a more relaxed way of approaching the country, but now after so much positive feedback, we have an amazing tour plan visiting Tokyo, Kyoto, Kobe, Osaka and Nagoya performing audio-visual live sets, giving talks and screenings in independent art spaces, cinemas, film festivals and universities. We will be there from April, 22 to May, 27, so be sure to check out the tour plan and visit us. I’m really excited and at the moment of this interview I can’t even possibly imagine how it will be…

Do you have any other plans? Or what would you like to be in the future?

As I said, I would like to work on my next movie in a very calm atmosphere and after the Japan tour, I try to take some time off to reach for that. Apart from my personal work, I’m dreaming of new architectural as well as cinematic challenges and collaborations with programmers or expert teams to create even more complex projects without doing so many things by myself. I met so many great people over the years helping me little by little, that I believe it will happen one day, even though it’s a long road…

Please leave a message to readers.

Be inspired by everything surrounding you!

Robert Seidel
Address: Max-Steenbeck-Str. 2, 07745 Jena, Germany
Tel: +49-3641-232943

*All movies of Robert Seidel can be downloaded at

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