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DOTMOV FESTIVAL 2004

HAPPENING

DOTMOV Festival 2004 is a digital film festival coorganised by Hokkaido Foundation For Cultural Activities with an aim to discover talented creators and provide them with an opportunity to show their work. Selected works from the entry throughout the world will be screened at SOSO which is produced by an online magazine Shift for a month, from November 1st to 30th. This year’s total submission was 385 works from 33 countries, and 36 works were selected by guest creators. All selected works for this year will be shown on web site from November 1st. (finished) During the festival, a lot of related audio & visual events will also be scheduled.
There are also Special Screening Programmes. Diesel‘s fall/winter advertising campaign “DREAM” which consists of 30 short films created by 30 different film-makers throughout the world under the theme of “dream”, Panasonic’s 10 short movies “Capture The Motion” created by ten young and energetic creators and some works from Sound x Vision 2004.
　

SCREENING PROGRAM　


  • Digitalsnapshot
    04:30 | 2003 | Germany
    Dir: Lo Iacono
    Sound: Michael Kadelbach
  • A ‘techno-queasy’ look at the everyday.
    It’s journey around a moment in time is both hypnotic and somewhat unsettling. Our modern world captured in a modern way.
    Selected and commented by The Designers Republic


  • Moments
    Random Loop | 2003 | Germany
    Dir: Armin Purkrabek
    Sound: Phillip Schulze
  • I felt the possibility of a real movie with this work, rather than an image, which was created through the monitor with some applications. This was created with a high faculty of composition, manipulating each parameter to handle speed, gravity and time, imagination and editing. It makes me want to watch it again and again. I also felt the same type of admiration in “Digitalsnapshot”.
    Selected and commented by Jiro Ohashi


  • 2.5 CAMOUFLAGE
    04:30 | 2004 | Japan
    Dir: Sayaka Maruyama
    Sound: Wataru Nishioka
  • After 5 seconds from the beginning, we immediately discover delightful amusement of camouflage and get struck with admiration. Sayaka leads us to the world of concerto that full of wits and rhythmic sense, which is different to M.C.Escher’s works that felt rather crammed with abstruse patterns and visual illusion. Sakaya’s work brings stimulations to us to see things around us in a new point of view with imagination.
    Selected and commented by Sugarcube


  • The Zoo
    01:04 | 2004 | Germany
    Dir: Zeitguised
    Music: Funkstorung
  • Bleak and unsettling, poetic and paced – a visually stunning piece of work that is both absorbing and challenging.
    Selected and commented by Form


  • Molecule
    03:10 | 2003 | Japan
    Dir: Yuki Tozuka
    Sound: Tomohiro Toyota
  • What is so amazing about this video is that it was probably made entirely with only one polka dot pattern asset, resized, duplicated, distorted, inverted and animated. I love the minimalist’s approach.
    It’s inspiring to see the work of simple idea with playful use of a limited environment.
    Selected and commented by Yoshi Sodeoka (c505)


  • _grau
    10:01 | 2004 | Germany
    Dir: Robert Seidel
    Sound: Heiko Tippelt and Philipp Hirsch
  • _grau is a mesmerizing, beautiful, and disturbing work of art that fuses dark and light to create organic forms and amorphous shapes. The scenes unfold slowly, elegantly revealing tensions between seemingly simple fragments of life. It feels like a long look at some primordial soup giving birth to some of the world’s first life forms, or one-celled organisms that can’t quite fully resolve themselves.
    The soundtrack, with its lonely drones rising and falling, make us believe we are witnessing a dark creation.
    The director’s most impressive accomplishment was in going beyond the technology of the computer to create something that feels as if it is made of real moments in time, inside a reality only slightly offset from our own.
    Selected and commented by Motion Theory


  • We Still Got It
    04:23 | 2004 | Ireland
    Dir: Johnny Kelly
    Music: The Redneck Manifesto
  • The motivation for selecting this as our choice was for a combination of reasons. The piece benefits from a strong and simple concept and well thought out story. Putting the viewer in the shoes of a designer charged with designing the album cover for a band. The chosen visual style is interesting and relevant. Reinterpreting the style of cut out paper collage techniques using digital animation, employed in such a way that the techniques and technology used remains transparent, aiding the design, rather than overpowering it.
    The design is strong, bold and confident, with excellent use of colour and composition. The animation related well to the music and was full of fun elements and a twisted sense of humour which is something that the Diesel creative team really appreciate.
    The piece both captures and maintains the viewers attention until the end of the animation, and succeeds in clearly communicating the intended story.
    Selected and commented by Diesel Virtual Department
     

  • Tarpit
    03:00 | 2004 | USA
    Dir: Takeshi Murata

  • The Stairs Of The Life Of A Woman
    01:56 | 2004 | USA
    Dir: Angelo Plessas
    Sound: Gnac

  • Decorso
    00:30 | 2004 | Italy
    Dir: Davide Catania

  • Fade
    09:56 | 2004 | China
    Dir: Qian Qian
    Music: Mahler “Symphony No.5”

  • Not My Type IV
    04:40 | 2002 | Australia
    Dir: Lycette Bros.

  • Oggo
    06:02 | 2004 | USA
    Dir: Saiman Chow

  • Limbo
    05:42 | 2004 | Hong Kong
    Dir: Tak Hung
    Music: Yusuke Naito “Lowjack 3”

  • Supercollider
    03:33 | 2004 | USA
    Dir: Rick Silva

  • She Under A Sherrington Tree
    08:25 | 2004 | Canada
    Dir & Music: Nicolas Bernier & Delphine Measroch

  • Yellowrama
    14:00 | 2001 | France
    Dir: Gastaldon Vidya
    Music: Jerome Tillie

  • Kannon
    03:40 | 2004 | Japan
    Dir: Takeshi Kushida

  • Manufactured Music
    02:11 | 2004 | Spain
    Dir: Actop
    Music: Matthew Herbert as Radioboy

  • Over Dose
    05:50 | 2004 | Japan
    Dir & Sound: SecondToNoneWorks

  • Dark Howling
    05:08 | 2004 | The Netherlands
    Dir: 310k
    Music: 3-1

  • Stevenson – Maximizing Waste
    04:40 | 2004 | Australia
    Dir: Pandarosa
    Sound: Aka Ltd.

  • Lovers
    02:34 | 2003 | Japan
    Dir: Masato Yamaguchi

  • Aftermath
    06:00 | 2004 | Austria
    Dir: Hannes Kolblinger

  • RE-MIX
    03:00 | 2004 | France
    Dir: Reynald Drouhin

  • CMYK
    00:30 | 2004 | Spain
    Dir: Actop
    Sound: Shudo
    Concept: Vasava

  • Daidassou -Nijiiro no Arch-
    05:35 | 2004 | Japan
    Dir: JETLAG
    Music: The Arrows

  • Polar
    03:08 | 2004 | Canada
    Dir: Eloise Camire

  • Two Rocks
    02:00 | 2004 | USA
    Dir: Margot Quan Knight

  • spiro/nano/diatoms
    10:00 | 2004 | UK
    Dir: Christian Hogue
    Music: Jesper Norda

  • Captured In Tones
    05:39 | 2004 | Germany
    Dir: Sascha Pohflepp with Isabelle Schmidt
    Music: Funkstorung with Sara Jay

  • Sleepwalking
    01:00 | 2004 | Germany
    Dir: Hey Presto
    Music: Funkstorung

  • Torch
    06:09 | 2004 | UK
    Dir: Carolina Melis
    Music: The Customers

  • Army Of Me
    04:30 | 2004 | USA
    Dir: Norma V. Toraya
    Music: Esmerine

  • Self Portrait
    00:45 | 2004 | USA
    Dir: Norma V. Toraya

  • Harboring Wells
    05:00 | 2004 | USA
    Dir: Norma V. Toraya
    Music: Do Make Say Think “Landlord is Dead”

協力

　　

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