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CONCEPT SHOP

PLACEText: Paul Snowden

P: Urban marketing stuff is popping up. The coolest thing was the Sony Playstation thing for ‘the getaway’ a photocopied a5 sheet, I found on the street saying ‘I borrowed your car, it saved my life, bought it back, cheers…. thegetaway.co.uk real cool.

E: Yeah I saw it. I loved it. Concept wise totally right. Really cool and very original. Plus really cheap! I love that game by the way. I think that more of that and more viral / buzz marketing concepts will hit the streets of Berlin. Going back to the question. Where is it now? There are 2 streams in Berlin. Upper- and underground. The underground is very good. Cool things happen there. The Berlin underground is far more interesting than the Amsterdam underground. I think that at 1 point, undergrounders who proved themselves will go upperground. Every company wants a piece of that. If this happens it will become more common. So I actually think that in 10 years Berlin will be back where it should be. The upperground? boring. They should’n be ctrl-x’ed. What do you think what the problems are?

P: Fear and lack of money. But being broke makes you think harder and its good for your street wise. We have become so fortunate because of the luxuries around us. People get tired and lazy. I quote – get angry, stay hungry, get lean, stay mean.

E: Good point. Maybe that’s why there’s a lot of urban stuff going on plus also a lot of low budget stuff. But that’s more on an artistic level. The problem with the lack of money is more apparent in the traditional design field. No clients or clients that have no money will lead into bad design. Most of the time. But a corporate identity like Holland’s KPN is something you won’t get in a bad economy. Know what I mean? Still, all that urban stuff has it’s influence on the mainstream. Always had. And always will. Look at Lodown magazine. Perfect example where underground becomes upperground. And I’m not being negative here. Besides Marok makes dope shit anyways. Yep. Not to be arrogant. I’ve seen some cool stuff here too. Pfadfinderei, Eboy, the way cbs bombs the city. A lot of spraypainted templates here. Saw a couple of Bansky’s which we’re cool. Actually a lot of cool urban stuff is going on in east Berlin. It seems like that walls, poles, actually everything is used for communication. Fucking up billboards is something you see here a lot too. Either art wise or making a statement against the commercial. You won’t see that in Holland.

P: It makes me laugh and kind makes me be proud to live here. I mean, have you ever seen a plank being nailed to a billboard as graffiti? I mean, how cool is that please? On the other side, design in public spaces is getting better, very creative, very radical. Maybe in a year or so you’ll see planks being nailed to Nike adverts from Wieden&Kennedy? With some kind catchy line like a man about the house is not a real man, nail planks to walls, just do it!

E: Yeah. You showed me that. That is cool. Quite original. I like the way how they go about fucking up billboards. I wonder who does that. and how many people are involved? There’s this one billboard on the Max-Beer-Strasse. After a couple of days it is already fucked up. Constantly. Leaving out words. Most of the times making the eyes red (if there’s a girl/guy on it). Quite interesting. In Holland people leave billboards alone. Yes. That is boring. You could do some intricate things with that. Even as part of a campaign. Aahhh, now I’m being too commercial again. Sorry for that.

Ailsa: Similarly, there is a tangible difference in the graffiti. Coming from Banksy-riddled-Shorditch means that I am probably immune to most flawlessly produced ‘interventions’ (As they are referred to in Art School…), but I have been struck by the almost naive stuff that you encounter on the streets in Berlin. There is something incredibly visceral about planks nailed to billboards and other apparently direct responses to advertising. It seems fantastic to me that as opposed to the now generic-stencil, there are people in Berlin going bombing with domestic paint rollers and baby-blue paint (The choice of colour is intriguing on its own. Begging questions about how incidental such a decision was, and how simultaneous an act was it). They feel spontaneous and reassuringly uncontrived.

P: So, what potential does this city have?

E: Alot. There’s this rebuilding, creating kind of thing. everything is new. Everything can be explored from scratch. Tabula rasa. Berlin has and will always be a metropole. It stood still for a while. And since the wall has gone it’s coming back. A lot of initiatives. Plus Berlin is raw, very raw. A lot of contrasts in everything. I only hope that they won’t turn east Berlin into west Berlin because their concept of renovating and restaurating has nothing do with keeping something with the past. But maybe they want to get rid off the past.

What do you think how to solve all these problems? Or at least what can Berlin do to change it all?

P: The city must understand that the only thing it has to offer is creativity, culture and nightlife and this must be pushed. And it all needs good design, then things may be a little more colourful. But maybe what I’m trying illustrate here is that good ideas don’t need money, the execution costs though. What we’ve seen are a lot of good ideas done cheap. Just imagine what would happen if there was cash flowing.

E: Change the attitude, change the bad and boring main stream design?

A: How graffiti should be? That is, of course, before you consider the effort involved to go home and get the hammer, buy the nails, find the wood, etc. The more that you think about the reality of how it physically came about, the more diverting it becomes. Is this person the Berlin equivalent of the London art school graduate who gets the job at the advertising firm, primarily for financial motives, but justifies it to themselves conceptually, by attempting to subvert it from within? I like the plank better.

‘Concept Shop’ is a project from Johannes Buss in collaboration with Saskia Draxler and Sebastian Schlicher.

Concept Shop
Address: ic! Berlin Showroom, Max-Beer-Strasse 17, 10119 Berlin

Text: Paul Snowden
Photos: Paul Snowden

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