Gestalten is proud to present the first solo show in Germany by the renowned American artist Mark Jenkins, who uses ordinary packing tape to create life-size human or animal forms. Jenkins is best known for his clever installations of these startlingly lifelike tape sculptures in urban and natural spaces as well as indoor environments such as cafeterias, toilets, and art galleries. This expert staging of his work, especially his clothed human figures, provokes various—often strong—reactions from passersby and expands his interventions into powerful performances.
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Agora Gallery proudly sponsors the annual Chelsea International Fine Art Competition, a renowned art contest that is juried by prominent museum curators and art experts. It is a great opportunity for the juror-selected artists to gain exposure by exhibiting their work in the famed Chelsea Art Gallery District as well as be part of online and print promotions.
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After the collection exhibitions in Vaduz, Kassel and Krems, the Migros Museum für Gegenwartskunst presents a variety of works from the collection before another presentation in Bolzano. The Migros-Genossenschafts-Bund’s collection was created in 1957, when the Migros’s statutes were set down, providing for the Migros-Kulturprozent (Migros Culture Percentage); the late 1970s brought a new focus on international contemporary art and greater professionalization. Divided into four sections, Tour d’Horizon offers insights into the different interests and thematic standpoints that guided acquisition policies over the decades, but also addresses specific aspects and issues of how a collection is built. The show focuses on the presentation of exemplary works that have not been on public display in a long time, if ever. Organized along a chronology of the collection’s acquisitions, the exhibition is accompanied by a program of events that examine a wide range of questions about collecting and the history of the collection.
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Färgfabriken will present the exhibition Aberrationen kom som en frälsning för dem alla. by Anna Persson.
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Claes Oldenburg (* 1929, Stockholm, Sweden) has not only been a major artist in Pop Art, Performance Art and Installation Art but, in partnership with Coosje van Bruggen, also a strong influence on art in public spaces with his monumental Large Scale Projects in numerous major cities worldwide. With his humorous and profound depictions of everyday objects he is one of the most important and admired artists since the late 1950s. One central point of reference in Oldenburg’s oeuvre is the industrially produced object—the object as a commodity which, in ever-new metamorphoses of media and form, becomes a conveyor of culture and a symbol of the imagination, desires, and obsessions of the modern world.
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